Behringer New Guitar Pedals

Fuzz has been one of those guitar effects that has become a staple sound of rock, and no other type of fuzz exists as a microcosm of 60s experimentation and musical revolution as the Behringer OCTAVIA OCTAVE FUZZ! The 60s was all about pushing boundaries. When it came to music, new and exciting sounds were what everyone was after, and guitar icon Jimi Hendrix led that charge by utilizing the original octave fuzz in songs like "Purple Haze," "Fire," and many others.

While Jimi Hendrix opened the doors to this unique and unpredictable sound, many other great guitar players followed in his psychedelic wake. Notable ones being Jeff Beck, Stevie Ray Vaughan and Kenny Wayne Shepherd. OCTAVIA OCTAVE FUZZ lets your guitar stand out in a mix with its distinct and sometimes unpredictable octave up sound. It’s all analogue, silicone-based circuit also means your tone will be 100% pure and authentic so you can set it, forget it, and rock out!

To learn more about the Behringer Octavia Octave Fuzz please click here

Strike a chord and let it shimmer with the Behringer CHORUS SYMPHONY! This vintage modulation pedal is equipped with an all-analogue BBD circuit giving it a rich and warm sound that helped shape the sound of many hits!

CHORUS SYMPHONY gives your guitar, or any instrument for that matter, a thick, syrupy and multidimensional sound found in the highly popular Jazz Chorus amplifier and was soon placed in a pedal. That iconic modulation became an instant classic, used by many famous musicians such as John Frusciante, Brian May, Joe Satriani and Andy Summers to name a few. The original circuitry was one of the first of its kind to use a BBD circuit and we wanted CHORUS SYMPHONY to have the same. The preamp section includes a high/low switch can add lot of body to your sound or push the preamp into overdrive territory. Turn the level control and you can add even more srunch and drive to your sound.

To learn more about the Behringer Symphony Chorus please click here.

It’s time to get funky because Behringer is bringing back a pedal that shaped ‘70s music! This is the B-TRON III ENVELOPE FILTER.

The B-TRON III is a vintage envelope filter that creates a “Wah” or “vowel” sound every time you play a note. It includes three filter types via the Mode switch that includes low-, band-, or high-pass settings for a nice quack or a nice high-frequency sizzle. It works great for bringing the funk with either guitar, bass or keyboards.

The Range switch on the B-TRON III can be toggled between low, so you can get more vowel-like sounds, or high to emphasize more overtones. And the Up and Down modes on the Drive switch can give you that traditional “Wah” sound or a cocked “Wow” sound.

To learn more about the Behringer B-TRON-III please click here